fishmike wrote:spin it anyway you want.. Felton has a 3rd year. It was an option.
If you're implying the Knicks hold a third year option on Felton, they do not.
If you're implying if Felton played well for 2 years he'd sign for 1 more year, inexpensiively, you're crazy.
Melo's age isnt a concern for me or the difference between Melo's age and the guys we gave up. The age issue was wirth Billups and the fact that we gave up 4 rotation players (starters) and one prospect for one player and one on the way out.
If Billups, under your definition is "one on the way out", then what were Chandler and Randolph". They were on their way out too, just reasons other than age.
Again, you're manipulating things to paint them in the worst possible light.
As for Melo being penalized because of our current seeding your joking right? Didnt we get Melo to be elite and compete with the other star studded teams in the east? I thought that was the point.
Partly, yes. But as Walsh has outright stated, the work isn't done.
In the top-heavy east, seeding is important. Yes, he's here to compete with the best, but he won't be responsible for OTHER teams getting the play-off homecourt advantage.
And cap space in 2012? Really dude? Go run the #s and get back to me....
Don't need to. Knicks have about $42m committed to 2012-2102. Look it up.
And I'll say this again. Chandler in 2011, Gallinari, Felton and Fields in 2012.
They idea the KNicks were keeping those players AND signing a significant free agent is a myth.
We could have competed and made the playoffs just fine with the very deep, young and improving team we had.
I continue to fail to see how practically the Knicks went from "very deep" to threadbare.
Randolph was a non-factor.
Mozgoz was a project (whom I liked, but a project nonetheless).
Felton-Billups was at worst a wash.
At worst, you're really talking 2 for 1. One of which probably wasn't going to be here next year anyway.
And this is for a team who is a coached by someone we all KNOW has a short rotation.
The extreme terms being used to paint this trade is out of emotion, not practical analysis.